NEW REPERTOIRE ANNOUNCED!
2025 Sphinx Competition Repertoire Requirements
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PRELIMINARIES REPERTOIRE
JUNIOR DIVISION
Violin
Mozart, Concerto for Violin No. 3 in G Major, K. 216, Movement I: Allegro
Choose one from the following
– William Grant Still, Summerland
– William Grant Still, Quit dat Fool’nish
– Traditional (arr. Jesus Florido), Ballada Española (Romance)Piece of choice
Viola
Hoffmeister, Viola Concerto in D major, Movement I: Allegro
Choose one from the following:
– William Grant Still, Here’s One
– Piazzolla (arr. John Madison), Oblivion
– Traditonal (arr. Lawrence Brown), one selection from the “Five Negro Folk Songs”Piece of choice
Cello
Haydn, Cello Concerto No. 1 in C Major, Hob.VIIb:1, Movement I: Moderato
Choose one from the following:
– Coleridge-Taylor Perkinson, Lamentations "Black/Folk Song Suite", Movement II: Song Form
– Villa-Lobos, O Canto De Cisne Negro (Song of the Black Swan)
– Traditional (arr. Lawrence Brown), one selection from the “Five Negro Folk Songs”Piece of choice
Bass
Koussevitsky, Bass Concerto in F-sharp minor, Op. 3, Movement I: Allegro (Solo Tuning; F# minor)
Traditional (arr. Lawrence Brown), two selections from the “Five Negro Folk Songs”
Piece of choice
SENIOR DIVISION
Violin
Two contrasting movements of Bach Solo Sonatas (3 sonatas ONLY. *Chaconne from Partita No. 2 may be performed in place of the 2 contrasting movements from the Sonatas*)
Choose one from the following:
– William Grant Still, Suite for Violin and Piano – pick one movement
– Coleridge-Taylor Perkinson, Blue/s Forms – pick one movementSamuel Coleridge-Taylor, Concerto for Violin in G Minor, op. 80, Movement I: Allegro Maestoso
Viola
Two contrasting movements of Bach Cello Suites (Viola transcription) OR Bach Sonatas and Partitas (viola transcription)
Choose one from the following:
– Adolphus Hailstork, Romances for Viola and Piano, Romance No. 2 - Amoroso
– William Grant Still, CarmelaChristian Colberg, Viola Concerto, Movement III: Sancho
Cello
Two contrasting movements of Bach Cello Suites
Choose one from the following:
– Marlos Nobre, Poema
– Coleridge-Taylor Perkinson, Lamentations "Black/Folk Song Suite", Movement IV: Moto Perpetuo
– David Baker, Sonata for Cello and Piano, Movement IRicardo Castro, Cello Concerto, Movement III
Bass
Two contrasting movements of Bach Cello Suites (Solo Tuning)
Choose one from the following:
- Traditional (arr. Lawrence Brown), “Five Negro Folk Songs” (all movements)
- Xavier Foley, Etude No. 3 "Lament" for solo double bassAndres Martin, Concerto for Bass No. 1, Movement III. Allegro Obsesivo
SEMI-FINALS REPERTOIRE (Live with Piano. All repertoire must be performed from memory)
JUNIOR DIVISION
Violin
Two contrasting movements of Bach Sonatas and Partitas for Solo Violin
Choose one from the following
– William Grant Still, Summerland
– William Grant Still, Quit dat Fool’nish
– Traditional (arr. Jesus Florido) Ballada Española (Romance)Mozart, Concerto for Violin No. 3 in G Major, K. 216, Movement I: Allegro
Viola
Two contrasting movements of Bach Cello Suites (Viola transcription) OR Bach Sonatas and Partitas (viola transcription)
Choose one from the following:
– William Grant Still, Here’s One
– Piazzolla, Oblivion (arr. John Madison)
– Traditional (arr. Lawrence Brown), a selection from the ”Five Negro Folk Songs”Hoffmeister, Viola Concerto in D major, Movement I: Allegro
Cello
Two contrasting movements of Bach Cello Suites
Choose one from the following:
– Coleridge-Taylor Perkinson, Lamentations "Black/Folk Song Suite", Movement II: Song Form
– Villa-Lobos, O Canto De Cisne Negro (Song of the Black Swan)
– Traditional (arr. Lawrence Brown), a selection from the “Five Negro Folk Songs”Haydn, Cello Concerto No. 1 in C Major, Hob.VIIb:1, Movement I: Moderato
Bass
Two contrasting movements of Bach Cello Suites (Solo Tuning)
Traditional (arr. Lawrence Brown), two selections from “Five Negro Folk Songs”
Koussevitsky, Bass Concerto in F-sharp minor, Op. 3, Movement I: Allegro (Solo Tuning; F# minor)
SENIOR DIVISION
Violin
Two contrasting movements of Bach Solo Sonatas (3 sonatas ONLY. *Chaconne from Partita No. 2 may be performed in place of the 2 contrasting movements from the Sonatas*)
Choose one from the following:
– William Grant Still, Suite for Violin and Piano – pick one movement
– Coleridge-Taylor Perkinson, Blue/s Forms – pick one movementSamuel Coleridge-Taylor, Concerto for Violin in G Minor, op. 80, Movement I: Allegro Maestoso
Viola
Two contrasting movements of Bach Cello Suites (Viola transcription) OR Bach Sonatas and Partitas (viola transcription)
Choose one from the following:
– Adolphus Hailstork, Romances for Viola and Piano, Romance No. 2 - Amoroso
– William Grant Still, CarmelaChristian Colberg, Viola Concerto, Movement III: Sancho
Cello
Two contrasting movements of Bach Cello Suites
Choose one from the following:
– Marlos Nobre, Poema
– Coleridge-Taylor Perkinson, Lamentations "Black/Folk Song Suite", Movement IV: Moto Perpetuo
– David Baker, Sonata for Cello and Piano, Movement IRicardo Castro, Cello Concerto, Movement III
Bass
Two contrasting movements of Bach Cello Suites (Solo Tuning)
Choose one from the following:
- Traditional (arr. Lawrence Brown), “Five Negro Folk Songs” (2 movements ONLY)
- Xavier Foley, Etude No. 3 "Lament" for solo double bass
Andres Martin, Concerto for Bass No. 1, Movement III. Allegro Obsesivo
FINALS REPERTOIRE (Live with Orchestra. All repertoire must be performed from memory)
JUNIOR DIVISION
Violin – Mozart, Concerto for Violin No. 3 in G Major, K. 216, Movement I: Allegro
Viola – Hoffmeister, Viola Concerto in D major, Movement I: Allegro
Cello – Haydn, Cello Concerto No. 1 in C Major, Hob.VIIb:1, Movement I: Moderato
Bass – Koussevitsky, Bass Concerto in F-sharp minor, Op. 3, Movement I: Allegro (Solo Tuning; F# minor)
SENIOR DIVISION
Violin – Samuel Coleridge-Taylor, Concerto for Violin in G Minor, op. 80, Movement I: Allegro Maestoso
Viola – Christian Colberg, Viola Concerto, Movement III: Sancho
Cello – Ricardo Castro, Cello Concerto, Movement III
Bass – Andres Martin, Concerto for Bass No. 1, Movement III. Allegro Obsesivo